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Mostrando resultados do 76 ao 90 de 1541
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76
Not Only Her Fathers’s Daughter: Sor Marcela de San Felix Stages A Nun’s Profession
1999
77
The Loss of Context and the traps of Gender in Sor Juana's Los empenos de una casa / House of Desires
2008
78
Crisis and Disorder in the World of Maria de Zayas y Sotomayor
1995
79
Ockham's Razor: James A. Parr's Theory of Genre and Noncanonical Drama
2006
80
The Demand For Love and Meditation of Desire in La traicion en la amistad
1995
81
Reconstituing the Feminine: Travesty and Masquerade in Maria de Zayas' "Amar solo por vencer"
1995
82
Found in Translation: Maria de Zayas' Friendship Betrayed and the English Speaking Stage
2008
83
Lasting Laughter: Comic Challenges Posed by Zayas and Castellanos
2000
84
Between a Rock and a Hard Place: Armesinda Sets Her Own Parameters in La firmeza en la ausencia by Leonor de la Cueva y Silva
1999
85
The Three Lives of the Vida: The Uses of Convent Autobiography
2003
86
Sexual Inversion: Carnival and "La mujer varonil" in La fenix de Salamanca and La tercera de si misma
1991
87
“Tierra de en medio”: Liminalities in Angela de Azevedo’s El muerto disimulado
1999
88
Mimesis and Sacrifice: Girardian Theory and Women’s Comedias
1999
89
Hysterical Mimicry and Perversion in Maria de Zayas’s La traicion en la amistad: An Example of a “Hermeneutics of Suspicion”
1999
90
Toward a Baroque Reading of "El verdugo de su esposa"
1995