Metabuscador
Ayuda?
 

Bibliotecas digitales

Marcar/desmarcar todasAmadísBiesesCBDRSCICLEComedicDebowDialogycaDinamEmblemas TraducidosEmblemática HispánicaEstalaHerediaIBSOJunta LibrosParnaseoPolianteaSaavedra FajardoSendebarSILEMSYMBOLA

Resultados de la búsqueda

Mostrando resultados do 166 ao 180 de 295


Página anteriorPágina seguinte
166
Reconstituing the Feminine: Travesty and Masquerade in Maria de Zayas' "Amar solo por vencer"
1995
167
Found in Translation: Maria de Zayas' Friendship Betrayed and the English Speaking Stage
2008
168
Lasting Laughter: Comic Challenges Posed by Zayas and Castellanos
2000
169
"Lo que ha menester". Erotic Enchantment in "La inocencia castigada"
1995
170
Between a Rock and a Hard Place: Armesinda Sets Her Own Parameters in La firmeza en la ausencia by Leonor de la Cueva y Silva
1999
171
The Three Lives of the Vida: The Uses of Convent Autobiography
2003
172
Sexual Inversion: Carnival and "La mujer varonil" in La fenix de Salamanca and La tercera de si misma
1991
173
“Tierra de en medio”: Liminalities in Angela de Azevedo’s El muerto disimulado
1999
174
Mimesis and Sacrifice: Girardian Theory and Women’s Comedias
1999
175
Hysterical Mimicry and Perversion in Maria de Zayas’s La traicion en la amistad: An Example of a “Hermeneutics of Suspicion”
1999
176
Toward a Baroque Reading of "El verdugo de su esposa"
1995
177
Maria de Zayas' Friendship Betrayed a la Hollywood: Translation, Transculturation and Production
2008
178
Visualizing Gender on the Page in Convent Literature
2003
179
Leonor de la Cueva Rewrites Lope de Vega: Subverting the Silence in La firmeza en la ausencia and La corona merecida
1999
180
The Sexual Economy in the Narratives of Maria de Zayas
1995